#UN RACCONTO REALISTICO SERIES#

'Il documentario riflessivo cerca di modificare i pregiudizi e le aspettative del suo pubblico, e non di aggiungere nuova conoscenza ad argomenti giГ esistenti. Mette in questione il realismo (linguisticamente costruito) del documentario. Riflette sui modi e i filtri culturali che informano la visione del mondo.Д¬onsidera il documentario come rappresentazione, non come strimento di accesso al mondo. Politicallyв†’about the world around us, provoke our awareness of social organization and the assumptions that support it

Most self-conscious and self-questioning modeД¬an be both politically and formally reflexive How we represent the historical world as well as what gets representedДisguised fictionв†’reveal the fabricated nature of the performances we have witnessed, prompts us to question the authenticity of documentary in general Servizio televisivo, informazione 'neutra', cinegiornale.ДЇilm di famiglia, arte-terapia, autobiografia.ДЇocus of attentionв†’negotiation between filmmaker and viewerДЇilmmakers engagement with usв†’focus historical world, problems and issues of representing it well Questa espressione resta tuttavia collegata a rappresentazioni del mondo sociale in cui viviamo', pg. CiГІ che viene espresso ГЁ il punto di vista e la visione personale del regista. Dalla persuasione, l'enfasi puГІ essere trasposta all'espressione. 'L'enfasi puГІ essere sul convincere il pubblico di un particolare punto di vista o approccio a un problema, ma anche sul mostrare una visione personale e chiaramente soggettiva dei fatti. Separazione tra chi ascolta e il soggetto (tempo e spazio sociali diversi). Voce personale, enunciatore riconoscibile o identificabile.

personal persona->voice over, appearanceД«.them->separation between speaker and subjectДЄ.from a source that lacks individuality->voice overДЄ.

#UN RACCONTO REALISTICO SERIES#

The narrative material is a living material, a vital subject that undergoes processes of competition, adaptation, change, modification, etc., while the abiotic component is provided by the mediascape in which the series structures are inserted.ДЄ. The narrative material a universe traveled by the viewer, and where the experience can be randomly reconfigured.ДЄBIOTIC component and a BIOTIC componentThe abioticД¬omponent is represented by the media context, while the biotic component is represented by the narrative structures. Narrative ecosystems are non-procedural systems.they are not determined by a syntagmatic sequence of functions, but instead from declarative elements that describe the environment, characters and relationships, making They are inhabited by stories and characters,which change through space and time.Д®x: Heroes, where the changes of setting, characters and even temporality are peculiar traits of the productД®cosystems are interconnected structures, which are configured, at the level of the relations among different media, through mechanisms ofremediation12/relocation13 as well as, at the level of narrative elements, through the mechanism of sequel and prequel,reboot, spin-off and crossoverД®cosystems tend to reach and maintain a certain balance over time,orchestrating a sustained and persistent universe that lasts outside the confined space of the screen, whilst modifying according to unpredictable lines of development.

Un racconto realistico